[ Click any image for more pages, artwork and process notes ]
GRAPHIC NOVELS
Double-page spread, pages 1–2 of The Factory. Left page: a pockmarked landscape where tiny figures queue to enter a fuming factory. In the top-left corner, the title reads "THE FACTORY" above the author's name, "Lukasz Iskierka". Right page: the landscape stretches on, factories dotting the land all the way to the horizon. In the bottom-right corner stands a friendly-looking robot with arms crossed. Its caption reads: "I'm Glitch. Well, it's what I like to call myself, but no one here really knows that. Every unit in the Factory has a signature and mine is LUPD-07822EJ1AZ."
The Factory — an 8-page sci-fi comic, drawn entirely in pencil. 
BOOK COVERS
Alternative book cover for 'I, Robot' by Isaac Asimov: An android is suspended in a fluid within womb-like container. The robot, in its foetal position, conveys vulnerability of becoming alive.
I, ROBOT | alternative book cover | digital
Alternative book cover for Childhood's End by Arthur C. Clarke. A devil-like alien character stares ominously from the image with fiery glow behind his back. Double exposure  on his skin shows graveyard of skulls.
CHILDHOOD'S END | alternative book cover | digital
EDITORIAL & COMMERCIAL ILLUSTRATION
An impactful illustration featuring a majestic blue whale against a white backdrop. The whale's back is adorned with industrial chimneys, factory installations, and pipes that seem to extract fluids from its body. This surreal composition evokes a strong emotional response, symbolizing the destructive impact of human industry on our natural world.
THE FACTORY | editorial illustration | traditional
The image features an elephant painted against a white backdrop. The elephant's body seamlessly merges with the form of a tree, featuring acacia branches growing from its back. The elephant exudes a sense of majesty and tranquility as it gazes into the distance. The illustration is depicted in neutral, earthy colors, capturing the central theme of aging with grace and acceptance.
NATURAL GROWTH | editorial illustration | traditional
An illustration features a surreal scene with an Alpine Ibex merging with rocky mountain peaks, embodying the spirit of the Alps. The Ibex takes on the form of a commanding mountain itself, standing prominently in the landscape. The setting sun casts a warm glow behind the Ibex-shaped peak, while a dark blue sky stretches overhead, overlooking a coniferous woodland at the mountain's base.
ALPINE IBEX | editorial illustration | traditional
A set of illustrations commissioned by University of Bristol presenting their public health research project.
UNIVERSITY OF BRISTOL COMMS | corporate illustration | digital
Step into Serenity: A solitary figure in his thirties sits on the doorstep of a quaint house surrounded by enchanting apple trees. The house stands an otherworldly landmass suspended and adrift in the evening sky, while the dark blue heavens are gently illuminated by the radiant presence of the Moon, peering from behind delicate clouds. The painting evokes a profound sense of tranquillity and contentment in solitude, rendered through a palette of muted, neutral tones with shades of blue and a soft, pale-yellow Moon, contrasted by the warm, inviting orange glow emanating from the house.
SOLITUDE | editorial illustration | digital
In a park alley on a rainy day, two men stand locked in a loving embrace, one of them sheltering both with a brick-red umbrella. Muted colors dominate the scene, with the umbrella's hue drawing the eye to the central point of the image, where warmth and togetherness triumph over the unpleasant weather.
TOGETHER AGAINST THE RAIN | editorial illustration | digital
GAME ASSETS
A bespoke 2D digital game asset in the shape of a campaign map for a Community Campaign, 'Flame and Shadow', for the Songs of Conquest game. It has been tailored to depict the story written by the client. This commission illustrates a region called 'Southern Nasmir', representing a mix of woodlands, three small villages, a mountain range, a river, a lake, and even a small desert where a wizard's tower stands. The 2D game asset has been designed to successfully imitate the map being hand-drawn on real paper.
FLAME & SHADOW | 2D game art assets | digital
DESIGN & BESPOKE WORK
A humanoid fox sat cross-legged among lush red poppies, lost in thoughts.
FOX AND POPPIES | T-shirt print design | traditional
Find Peace in Pages: An illustration portrays a woman in her mid-thirties, lounging on her bed, absorbed in the world of the book she reads, while a black cat naps at her feet. An open book makes up the cosy corner of the woman’s bedroom. Just like the walls, it hosts many windows looking out at a sky dotted with fluffy clouds, kissed by the setting sun. A second cat perches on the windowsill, gazing at the serene vista.
BOOK TIME | greeting card design | digital
On a cloudy day, a man leisurely walks along the shores of Whitley Bay. The sun's soft rays pierce through the overcast sky, illuminating select patches of land and sea. These brief glimpses of sunlight showcase a stretch of sandy beach and highlight the iconic St. Mary's Lighthouse, perched on distant rocky outcrops and capturing the viewer's attention.
COASTAL WALK | greeting card design | digital
A magnificent male deer with an impressive crown of antlers gazes at us attentively, his blue, pupil-less eyes emitting a radiant blue light. In the background, a golden silhouette of an oak tree catches the ethereal light from above, adding to the majestic aura of the scene.
WOODLAND SPIRIT | calendar artwork | digital
A custom-made wedding invitation, hand-drawn and unique, designed specifically to capture the personality of the clients. It depicts the newlywed couple on the theatre's stage with their animal companions, capturing their passion for theatre, love for their cats and dogs, as well as their interest in tabletop games. This bespoke invitation is an example of visual storytelling at its best, with accents of humour and a fresh approach to the traditional formula of wedding invitations. It puts the newlyweds at the centre of their own story.
WEDDING INVITATION | bespoke design | mixed-media